“Absolutely anyone can use it!” she insists. Brown can make you look tired if it’s not the right brown.” Shade-wise, no woman can go wrong with Lancôme’s Le Crayon Khôl in Black Coffee. “You need to create a contrast between the eye color and liner. “In the old days, they used to say only use brown, but it’s a falsehood that women over 50 can’t use black,” she insists. As for liner, Linter makes a point of debunking a long-held myth. “When they don’t work, the lashes start to clump and there’s nothing more aging than clumpy lashes on a woman over 50.” Currently, Chanel’s long-wearing Inimitable Mascara, which boasts a flexible pronged brush and provitamin B5-laced jet-black formula that nourishes the hairs while providing natural definition, is her favorite when working with relatively older clients. “There are very thickening formulas that don’t work on older women whose lashes have become thinner and more brittle,” she explains.
HOW TO WEAR EYE MAKEUP FOR BROWN EYES TRIAL
Next, you have to pick the right mascara, which requires a fair mount of trial and error. The first step? Curl the lashes with an eyelash curler, starting right at the root. “You want to open up the eyes and make them look as big as possible because it’s more youthful,” explains Linter. After the moisturizer sinks in, you can target areas with fine lines or dry patches with a quick-absorbing primer, like Dermablend Insta-Grip Jelly Face Primer with its smoothing gel texture, as desired.
HOW TO WEAR EYE MAKEUP FOR BROWN EYES SKIN
According to the pro, La Mer Moisturizing Cream strikes the right balance between nourishing the skin for a dewy finish, without compromising the layers that follow. “Heavy moisturizers are just not compatible with makeup,” says Linter. Before applying makeup, spread on a veil of a hydrating yet weightless moisturizer on clean skin. Needless to say, following a dedicated skin-care routine-cleansing, moisturizing, and exfoliating-is an essential strategy for achieving a healthy complexion, especially over time. Instead of trying to hide flaws, enhance what you’ve got.” From natural-looking coverage to subtle tricks that make the eyes pop, here is Linter’s guide to makeup for women over 50. “There are no rules!” she insists, with just one addendum: “Wear the makeup, don’t have it wear you. At a time when the fashion industry is, at long last, celebrating women above a certain age, Linter believes there’s no time like the present for older women to not just embrace makeup, but have fun with it. “I can remember being ‘young Sandy the makeup artist’ and then middle-aged and then further on than middle-aged.” she laughs, in reference to her personal evolution over her decades-long career. In fact, with age, her skillset has grown, as she’s continued to work with a laundry list of famous faces including Christie Brinkley, Elizabeth Hurley, Debbie Harry, and Rita Wilson. And by the ’80s, she was regularly painting the faces of supermodels Iman, Cindy Crawford, and Patti Hansen for major campaigns and in the pages of Vogue. In the ’70s, she struck out on her own, landing high-profile editorial work with photographers such as Irving Penn, Helmut Newton, and Arthur Elgort while embodying the era’s work-hard-play-hard mentality and becoming a dazzling fixture at Studio 54. Kenneth Battelle in New York City, his clients Jackie Onassis and Barbara Walters serendipitously ending up in her makeup chair. In 1969, the Brooklyn-born, Staten Island–bred visionary began her career working for famed celebrity hairdresser Mr.
In her 74 years, Sandy Linter has lived many lives as a makeup artist.
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